The shade
Every tray tile is read off the capture itself, so this compartment holds the sites where the shade genuinely carries the page — not the ones that merely claim it.
6 catches in this compartment
Raycast is the launcher that swallowed a whole category of utilities — window management, clipboard history, AI chat — behind one keystroke, now on Windows as well as the Mac where it began. Its site set the tone for a wave of dark, keyboard-flavored product pages.
Rivian builds electric trucks and SUVs pitched at people who drive toward dirt on purpose, plus the delivery vans it developed for Amazon. Its site sells the machines with poster-scale type and almost no spec-sheet noise.
Mercury provides banking and finance software to startups, and has spent years arguing that financial software deserves real design attention. Much of the industry's current taste in fintech interfaces traces back to this company's output.
Atlas Obscura catalogues the world's overlooked wonders — sunken churches, absurd museums, parks built to be misunderstood — in a largely reader-contributed atlas grown since 2009 into tens of thousands of places. Trips to many of them are what fund the archive.
Klim is Kris Sowersby's type foundry in Wellington, New Zealand, behind faces like Söhne, Signifier and Founders Grotesk. Alongside the catalogue it publishes some of the most rigorous writing on type design anywhere on the web.
The Rijksmuseum is the Netherlands' national museum of art and history, home of The Night Watch and The Milkmaid. It was an early mover in giving away ultra-high-resolution scans of its own masterpieces for anyone to download and reuse.
